Landscape plays a slow tune.
At first distant, a gathering of cloud beyond the horizon. Or,
spring sunshine on frost. It’s a gradual softening and loosening of things. It builds,
there’s a reordering and at some point it throws flames, sudden, great flames
that leap and cast shadows and throw warm arms up to the cracked walls and
smashed glass windows. And there’s a heat, and it melts the creaking doors from
their frames and dawn shines on flame and it doesn’t relent and nothing asks
why.
It took an entire week in New Zealand, this tune. No
conscious hand can hurry it along yet I seemed destined to try. Wild-eyed and
crazy for a connection I pulled my thoughts this way then that, through days
and lakes and books. If I could just be startled, or sad, some sort of shock
perhaps? Anything that would open those doors to the sunlight. This awful dance
started early, on the slow descent over the beautifully named “Remarkables”
mountain range near to Queenstown. They were enormous, clouds were boiling in
valleys and what wasn’t black rock was brilliant white snow. I conjured up some
tears and swept some make-do emotions into a nice neat pile, you know the way, like
wondering at a baby’s hands or how on
earth did they build the pyramids? We turned down a river valley, the water
was turquoise and the stone was that alp-grey colour; as the engines whirred
through their landing notes I grappled around faster and faster for
connections, some way, any way, to bring the landscape to me. All this, even
before I’d breathed the air.
It was through this hazed panic for joy that I approached
the first days. There are plenty of ways in which not to connect with the
environment in New Zealand and I drifted about these corridors quite regularly,
what’s worse is I’d taken to using a camera. So on more than one occasion I’d
pull over into a little carpark and take a photo, get back in the van and drive
on, that anxious, hollow desire to record and catalogue, a reducing of the
actual world to your own dreary collection of lurched-for images, holding onto
moments that never extended beyond the act of capturing them anyway. It’s a regret
that I never quite shook this off, this awful enslavement to images, following
my camera around like some faithful dog.
I was living as some glitching computer programme or
machine, flitting about between places and times, through sleepless nights and
knotted dreams, over and over that same dry, wheel-rutted terrain of conscious
grief. But then the brilliant flames? The doors melting away all of a sudden?
Well of course, I exaggerate. I can chose to remember and repackage this
holiday however I wish, whatever seems most appealing in retrospect. The truth
is there were moments of peace and
clarity throughout the holiday, it didn’t all burst at once, and I’ll come onto
those. But there was this one experience at the end, something of an epiphany -
or at the very least some sense of becoming okay - that I want to indulge, embellish
here and there, take liberties with and simplify. All with the intention of presenting
the holiday as I’ve held it since, as some beautiful coming together of threads.
It was on the shores of Lake Hawea at a little Department of
Conservation campground. I arrived late, but in time to have a swim and cook
dinner before spending a few hours on the beach with the setting sun. The swim
had been calm, I remember standing up waste deep and letting the water drop
from me before diving under again head first, I kept doing it and a London
Grammar song lyric drifted around my head, maybe
I’m wasting my young years. A smile rose, I wasn’t. At some point, after
the sun dropped behind the mountains but long before darkness, I laid down, it
was warmer down here and I felt assured, my thoughts had slowed to the pace of
the idle breeze and flames lapped away inside me unhindered. I began to fall
asleep and each time I opened my eyes, the huge cloud that cut across the sky
had darkened a little more. Eventually stars switched on and the tent zips and
camper van doors became the only sounds, even the lake became silent, nothing,
no rustling at the pebbles, no sloshing, absolute calmness under the long dusk.
I’d spent the week in crystal clear waters, walking endless beech forests, long
sweeping ridges above Fjords and sailing on the world famous Milford Sound.
These environments had their slow effect and there is no way that arriving here
on the first night, I would have drifted into a peaceful sleep under the stars
like this. Slowly the mania had lifted, and as it fluttered off across that
silver lake I realised it was the first time since Ali died that I had felt
peaceful, or indeed anything approaching it. And so New Zealand holds a special
place in my heart, the giver of peace and as odd as it feels to say, something
of a redelivery of Ali, now in a form with which I don’t need to wrestle, or
spin around, or scurry away from. Now a peaceful, permanent, loving companion lying
comfortably alongside me as the stars of the southern hemisphere knit those
great unfamiliar shapes across the night.
In reality - and I should record the truth - during this
epiphany I had two trips back to the van, one for a jumper and one for some
insect repellent. I couldn’t get my back comfy after a while, the stones cooled
down rather fast and thoughts of airports kept intruding like heavy boots, but
at some point during that time all those wonderful things did happen to me, the
calmness, the Ali-by-my-side, the big dark cloud like a tear across the sky.
To all those other experiences then, the threads, the actual
holiday I sat down to write about today. I should start with the Milford Sound
(actually a Fjord, not a sound). Foremost, it had the most arresting effect on
me, I find myself telling people it changed the way I see the world, and
although that seems a little grandiose, it does persist as a feeling. The
actual experience wasn’t all that visceral, I was milling about on a boat with
others taking photos and listening to the too-loud tannoy guide, but the
scenery has stayed lodged in me. The slow progress of the boat through the
deep, blue-green water made the mountains seem infinitely big. Mitre peak,
which stands straight up like the Langdales do above Old Dudgeon Ghyll
stretches up 1692m and you see all of that, foot to summit from the water.
Tides and crabs slip up and down its base, trees cling so far up and then it’s
just brilliant silver rock chiselled into some kind of lightning strike, the
perfect jagged triangle. Gable from Wastwater. There were seals and a solitary
dolphin, there were huge forested valleys sloping off around corners, under
impossible cliffs and ever-changing low clouds. Sometimes a wind whipped down
the fjord off the Tasman Sea, I held a coffee and leant against the railings at
the front whilst sea birds came close then far, giving some scale back to the
cliffs, small planes did the same, or perhaps they were big? After the cruise I
swam awkwardly at the head of the fjord, clambering over seaweed rocks out into
a sea that refused to get deep. Once afloat though, I could stare up at Mitre
peak and across at the 150m waterfall cascading from a glacier high above in the
frozen valleys. There was an Oystercatcher and a few Brent Geese enjoying the
late afternoon sun, and on my way out I let saltwater dry across my back as I crouched
over a rock-pool bustling with tiny life. Everything beautiful.
Later in the week I climbed Mount Luxmore and Ben Lomond,
both of which provided unnervingly vast views. I felt compelled to pull the
mountains closer in, huddle them around me. The lakes stretched away forever
like seas and the mountain ranges were enormous piles of snow-capped monsters. These
hills with their muscular, freshly formed shapes were, at times, an aggression
upon the senses. I couldn’t stand the thrust.
I longed for those old sages of Lakeland and thought wistfully of Skiddaw who’s
youth was not unlike this. Its adolescence was full of drama, bursting up from
a fault line into a mountain of Himalayan proportions, before the long drift
north, the slow weathering into that beautiful stump sitting now, ever watchful
over Keswick.
Weather? Clean air, winds. From the south, air uninterrupted
since Antarctica would bring cold mornings to the campsites, chins in zipped
fleeces over barbecues, dew on tents and puddles in ruts. Then warm tropical
air would blow from the north and cicadas would wake up, the grass would crunch
underfoot and everything seemed to be suddenly hot, like Spain or something. Often
the sky would wake-up and cloud the heat away, wind would whip shapes across
the water, rain would fall and then stop, leaving sunshine on steaming roads.
Long days tumbled by and that beautiful dance between cloud, water and mountain
never stopped all week. It was free, ever-changing weather, fast and troubled
like a mind.
I genuinely didn’t think a place as beautiful as Britain
could exist elsewhere, that a climate so spectacular and engrossing was just
pottering along like ours, equally over-looked and undervalued at the opposite
end of the globe. I can feel my hand on the warm pebbles at Lake Hawea, I can
feel that mineral-like fine dust they left on my palms, I can hear the tents
and camper vans, I can close my eyes and see the dark hills across the lake
standing tall and black against the last embers of the day. Everything is a
re-imagining, a sense of shapes in the chaos and New Zealand will remain just
that to me, a forming of fantastic shapes that I’d long-forgotten existed.